June 2013
The Virgin Mary Along the Great White
Way
Sometimes the story is… that there is
no story. Such was the case last month, when a potential turf
clash between the religious and the secular seemed in the
offing. And in of all places, Times Square.
With “religiosity” in general
on the decline in the U.S.— confirmed again by “The
Global Index of Religiosity and Atheism” poll taken
at the end last year— and with the emergence of the
so called “New Atheists,” as epitomized by the
likes of Christopher Hitchens, Richard Dawkins and Sam Harris,
there seems to have been a more fervent effort to keep religion
out of the public place.
Recently, that cross-shaped structure found
in the 9/11 rubble was once again in the news. As it was being
lowered into the Ground Zero museum due to open next year,
a New Jersey-based group, American Atheists Inc., had protested
on the grounds that it would in effect, be an endorsement
of Christianity. A federal judge ruled otherwise.
"No reasonable observer would view
the artifact is endorsing Christianity because the cross
is to be accompanied by placards explaining its meaning
and surrounded by secular artifacts. The Museum's purpose
is to tell the history surrounding September 11th…
the cross helps tell part of that history."
In this context, and upon hearing that The Church of Holy
Innocents in mid-town Manhattan was going to procession through
Times Square, while reciting the rosary and singing hymns
in praise of the Virgin Mary, and being Catholic myself, my
curiosity was piqued.
On the appointed day, out the church doors
and into the streets they went: some two hundred-fifty parishioners
strong— some holding makeshift banners of Mary as depicted
in the over 60 countries represented in this procession. All
quite beautiful in that way that religious art can invariably
be. But it was not quite made clear as to the intent or goal
of this rather unabashedly over-the-top public demonstration
of faith. Especially, say, in contrast to those processions
one would find on Via Dolorosa within the Old City of Jerusalem,
as I had once experienced.
As that path is held to be the one that Jesus
walked, carrying his cross on the way to his crucifixion,
it is “place relevant.” And the wearing of one’s
faith on one’s sleeve, is something immersed in the
religious culture that is characteristic of The Holy Land.
But the Virgin Mary in Times Square?
In any case, there was no bang and barely
a whimper. But there was some interesting takeaway from all
of this all the same.
For starters, I guess it should have been
obvious that the “theater” inherent in such an
event, puts it at one with the Times Square experience itself.
Rather than being in stark contrast to the
“secularity on steroids” atmosphere of Times Square,
there was a compatibility by way of a shared theatricality.
Though the event planners no doubt selected this venue in
the idea that, as it has always been considered to be “the
crossroads of the world,” it all ties in nicely with
their theme line of “One World… One Mother.”
The expressions and reactions en route and on site, were interesting
in their own way in their variety: broad smiles, soft smiles,
ironic smiles, curled-lip sarcasm, eye rolls, mouths agape,
puzzlement, “street face” feigned obliviousness,
and one overheard crude rhetorical question: “Where
the f--- are they all coming from!”
A couple of women on the sidelines, joined
in song upon recognizing a “Mary hymn” from their
youth (once a Catholic always a Catholic?).
Another woman and daughter complained that
Canada was not represented. (Poor Canada…no respect…always
underappreciated in the U.S. First the movie Argo,
now this).
In a YouTube culture, cameras, iPhones,
iPads, camcorders, and whatever, were in evidence every step
of the way. At one point, dozens from the red grandstand in
Duffy Square, as if on cue, turned to focus in unison on what
appeared to be something worth capturing—some sort of
“New York thing?”— to show the folks back
home. (Contrast this to the day JFK was assassinated, in which
only ONE camera caught that brutal moment; the legendary “Zapruder
film,” all of 26.6 seconds).
When their fifteen minutes of time allotment
(and “Warholian” fame?) were up, the church procession
left to go back from whence it came. Seemingly unnoticed this
time, as many of the onlookers had long since diverted their
attention elsewhere.
Sometimes the story is, that there is no story.
And that in itself, becomes the story. Given, not
the one you thought you might see unfold. In this case, conflict
between church and state.
***
Quote of the Month
***
Oysters Ordered in the
Afternoon
Such
succulence suggested to close the gap
between the planets on a chromosome map
to enable the coupling of dish and spoon
oysters ordered in the afternoon.
The élan of a magician who
knows his wand
illusion and reality forming a bond
suspension of belief by both in tune
oysters ordered in the afternoon.
On a bed of ice come the naked treats:
Blue Points, Kumamotos, Malpeques and Wellfleets;
tender the inside, the exterior rough hewn
oysters ordered in the afternoon.
Savoring old tastes, played out on
new tongues—
learning new words to old songs once sung
Monarch metamorphose from the marital cocoon
oysters ordered in the afternoon.
Can a door be opened through computer
keys
despite misleading data in biographies?
When pigs fly— the heart would deign to presume
oysters ordered in the afternoon.
Can chemistry develop from a premise
set in zinc?
From a dozen on the half shell fueled by another drink?
Or an aborted mission on the dark side of the moon?
Oysters out of order in the afternoon?
—Ron
Vazzano
|
|
***
The School of Soft Knocks
As we enter the room, there on a Styrofoam
board propped up on an easel, is a quote that perhaps is at
the heart of what has led us here:
THE UNEXAMINED LIFE IS NOT WORTH LIVING.
— Socrates
One might call this place the school of “soft
knocks,” as there will be no homework (unless you consider
getting in touch with your five senses to be homework), no
tests, no right or wrong answers (though lots of questions),
no term papers, no class projects, and no previous courses
required. The only requirement here being, a desire to get
in touch with the wisdom within, which Plato teaches us is
innate. We are all smart…we just do dumb things.
Thus we have gathered at The School of
Practical Philosophy to take a ten week course entitled
Philosophy Works. We have come from all walks of
life. Some perhaps even in need to… “get a life.”
Just off Fifth Avenue, and amidst foreign
embassies and other fortresses of architectural heft, this
school began fifty years ago in this building built on old
money. And despite now having some 64 affiliates spread across
19 countries (8 in the U.S.) — and by virtue of the
internet making it accessible the world over—I dare
say few have ever heard of it. I myself happened upon it in
passing, caught by a brochure display mounted outside its
doors, which boldly stated: Happiness is closer than you
think. (Suggesting a positive spin on that dire warning
that “objects in the mirror are closer than they appear”).
Hmmm. OK. I’m in.
Philosophy we are told, literarily means love
for Sophia, the Greek goddess of Wisdom. But the goal
here is …
“…not an academic survey
of great philosophical ideas as one might find in a university.
Rather, the aim of the course is to invite students to
put great philosophical ideas into practice in order to
live compassionate, reasonable lives and thereby serve
society.”
“Practical” is the operative word
in the school’s name… “practice,”
in the school’s mission.
The dynamic that emerges from a roomful of
folk kicking around weighty questions such as what is wisdom?
truth? beauty? is so stimulating given its unexpectedness.
Who knew an ad exec could speak truth?
One fundamental realization that is addressed
early on—and will serve as a guiding principle for all
philosophical practice— is that we tend to spend much
of the day in what is called a “Waking Sleep.”
As opposed to the desired and productive level of… “Fully
Awake.”
Once,
a student asked Buddha, “Are you the messiah?”
“No,” answered Buddha.
“Then are you a healer?” “No,”
Buddha replied.
“Then are you a teacher?” the student persisted.
“No, I am not a teacher.”
“Then what are you?” asked the student,
exasperated.
“I am awake,” Buddha replied.
So simple yet profound, in that way that wisdom
can be when firing on all cylinders.
And what is the cost of this sort of profundity
one might ask? $90 for the course, which comes to $9 for each
two and a half hour session. Far more is spent in Starbucks
weekly in pursuit of that alternative great awakener, caffeine.
Philosophy for the masses applied to everyday
life. What a concept.
***
Haiku
Snug
Harbor, Staten Island, N.Y. photo by Ron Vazzano©
—Ron
Vazzano
***
A Riff on the Zeitgeist of Modernism:
George Carlin Remembered
This month marks the fifth anniversary of
George Carlin’s passing. Time flies when you’re
having gone.
Though he was just another garden variety
standup comic early in his career— appearing often on
the Ed Sullivan Show— it was his switching gears to
that of satirist/social commentator, that took him to a whole
other level.
His uniqueness in particular, had to do with
his obvious fascination with our use (and misuse) of language
and words. It is for that I suppose, he is best remembered.
The most scorching example being his highly controversial
"Seven Words You Can Never Say on Television" monolog,
which first appeared on his hit album Class Clown
in 1972. It became central to a 1978 U.S. Supreme Court case
in which the justices, in a 5-4 decision, affirmed the government's
power to regulate indecent material on the public airwaves.
On the serendipitous end of the spectrum,
his comparison of football vs. baseball is classic:
“In football the object is for the quarterback,
also known as the field general, to be on target with
his aerial assault, riddling the defense by hitting his
receivers with deadly accuracy in spite of the blitz,
even if he has to use a shotgun. With short bullet passes
and long bombs, he marches his troops into enemy territory,
balancing this aerial assault with a sustained ground
attack that punches holes in the forward wall of the enemy's
defensive line.
In baseball the object is to go home! And to be safe!
—I hope I'll be safe at home!”
Depending on your political and religious persuasions and
sensitivities to excessive use of “street vernacular,”
you may have been greatly offended at one time or another
by his “take no prisoners” approach to observation.
But in terms of… subject matter, style (“clean”),
and performance, his piece, “A Modern Man,” would
probably resonate with all. This is Carlin at his absolute
best, in what you might call “a riff on the zeitgeist
of modernism.”
Appearing on his eighteenth album, Life is Worth Losing,
which was recorded simultaneously with a live HBO special
eight years ago, his riff (or maybe even “rap”
is more apropos?) calls attention to how frenzied our lifestyles
have become, as has the clichéd jargon we use to describe
them:
I've
been uplinked and downloaded,
I've been inputted and outsourced,
I know the upside of downsizing,
I know the downside of upgrading.
I'm a high-tech low-life.
A cutting edge, state-of-the-art bi-coastal multi-tasker
and I can give you a gigabyte in a nanosecond!
If you’ve got a spare three minutes
and thirty-three seconds, check out the YouTube of
Carlin performing this piece in its entirety. It is the sort
of thing I’d call “time-capsule worthy.”
(https://www.youtube.com/watch?v=hkCR-w3AYOE)
I will resist the temptation to conclude here
with something along the lines of “Rest in peace George
Carlin.” He would have a field day with such a sentiment
for its being unable to draw a distinction between death…
and just a nap.
***
fini
|